Today’s edition of Exfiltration Radio looks at making songs from other songs. I started making it just as an exercise in a certain type of 1980s dance music, but realized that what drew me into these songs were the bits of other songs and sounds that popped their heads up in the mix. And why not? The 1980s were when sampling came into its own—whether the cut and paste techniques of Steinski or the early digital sampling exercises of Art of Noise. Even some kinds of remixes fall into the pattern, where a song is deconstructed to its component pieces and augmented with other sounds to make something new. And weird, don’t forget weird.
Do not attempt to adjust your set, there is nothing wrong.
Jazz – Steinski (What Does It All Mean?: 1983-2006 Retrospective)
Close (To the Edit) – Art of Noise ((Who’s Afraid Of) The Art of Noise?)
Regiment – Brian Eno & David Byrne (My Life in the Bush of Ghosts)
Megamix – Herbie Hancock (Megamix)
Love Missile F1-11 (Ultraviolence Mix) – Sigue Sigue Sputnik (The Remixes)
Push It (Remix) – Salt-n-Pepa (Hot, Cool and Vicious)
Pump Up the Volume (USA 12) – Colourbox (Best of Colourbox: 1982-1987)
Wise Up Sucker (12″ Youth Remix) – Pop Will Eat Itself (This Is the Day…)
Beef – Gary Clail & On-U Sound System (End Of The Century Party)
God O.D., Pt.1 – Meat Beat Manifesto (Storm The Studio (Remastered))
Justified & Ancient (Stand By The Jams) – The KLF (Justified & Ancient)
Paranoimia – The Art of Noise with Max Headroom (Paranoimia (12″))
It’s been quite a rollercoaster of a year, for all sorts of reasons, and there were times when it felt like we were hunkering down and waiting for a beating to end. But people are getting vaccinated now and it’s spring, and suddenly it seems reasonable to start hoping once more.
Musically, the period I associate most with “hope,” as opposed to “nihilism” or “despair” or “80s hair,” is the time from the late 1990s through about 2003 or so, which produced some of the loveliest songs of hope and happiness I can remember. Part of it was the rise of indie rock, part probably the sustained recovery of the world economy. Maybe it was just that I got married at the beginning of the period, who knows? For whatever reason, it feels like a good time to dust off some of these tracks and start hoping again.
Do not attempt to adjust your set…
Untitled 4 (“Njósnavélin”) – Sigur Rós (( ))
Scratch – Morphine (Yes)
The Laws Have Changed – The New Pornographers (Electric Version)
When You’re Falling – Afro Celt Sound System (Volume 3: Further in Time)
The Way That He Sings – My Morning Jacket (At Dawn)
Diamond In Your Mind – Solomon Burke (Don’t Give Up On Me)
Brief & Boundless – Richard Buckner (Since)
All Possibilities – Badly Drawn Boy (Have You Fed The Fish?)
Time Travel is Lonely – John Vanderslice (Time Travel Is Lonely)
Shine – Mark Eitzel (The Invisible Man)
Why Not Smile – R.E.M. (Up)
You Are Invited – The Dismemberment Plan (Emergency & I)
Where Do I Begin – The Chemical Brothers (Dig Your Own Hole)
I’ve been going down a rabbit hole in my listening lately, as I grow increasingly conscious that great artists live among us… but perhaps not for too much longer. One I’m thinking about right now is the great saxophonist and composer Wayne Shorter.
I started listening to Shorter over 30 years ago, thanks to a CD copy of The Best of Wayne Shorter: The Blue Note Years that I found in Plan 9. Like all single-disc anthologies (and like this mix!), it’s a sparse summary of an astonishing period of creativity and excellent performances. But it hooked me… especially the opening track, the title from Shorter’s sixth album, which manages to be both relaxed and full of tension at the same time thanks to his unshowy use of modal scales.
I think I heard this album before I came across the Second Great Quintet recordings he did with Miles, which included many of Shorter’s compositions (especially the great “Footprints,” heard here) in very different arrangements. Miles’s version of “Footprints,” on Miles Smiles, ups the anxiety in the modal scale through tempo and urgency, especially in Tony Williams’ polyrhythmic drumming. I also looked backwards in time, finding some of the great recordings that he did with Art Blakey and the Jazz Messengers (and recently uncovering some of the sideman work he did for some of his colleagues, including Lee Morgan here).
Thanks to early-90s bias against fusion (which, in fairness, had fallen pretty low by the late 1980s), it took me years to discover Weather Report, particularly the first album, and I only recently began to listen to some of Shorter’s mid-1970s output, which featured a more accessible side of the great composer on songs like “Ana Maria.” And his late-period works with Danilo Perez, John Pattituci and Brian Blade continue to blow my head off with the genius of the collective improvisation, even as they document Shorter’s declining physical stamina. (He retired from performance in 2019 due to mounting health issues.)
Like that first Blue Note compilation, this sixty minute set is necessarily scanty, but hopefully will convince you to seek out more of Shorter’s work as well—and to utter a silent word of thanks that we walk the earth at the same time he does.
Enjoy…
Speak No Evil
–
Wayne Shorter
(
Speak No Evil
)
Ping Pong (No. 1)
–
Art Blakey and the Jazz Messengers
(
Complete Studio Recordings (with Lee Morgan, Wayne Shorter…)
)
Edda
–
Lee Morgan
(
The Rumproller
)
Yes or No
–
Wayne Shorter
(
JuJu
)
Footprints
–
Miles Davis Quintet
(
Miles Smiles
)
Tears
–
Weather Report
(
Weather Report
)
Ana Maria
–
Wayne Shorter
(
Native Dancer
)
Aung San Suu Kyi
–
Wayne Shorter and Herbie Hancock
(
1+1
)
Adventures Aboard The Golden Mean (live)
–
Wayne Shorter Quartet
(
Emanon
)
Pinocchio
–
Herbie Hancock Quintet
(
A Tribute To Miles
)
There have been such a lot of mixes this year! It’s almost as if we’ve doubled down on music making to compensate for the otherwise almost complete lack of normalcy.
This time I revisited an old mix in progress that had been kicking around my iTunes—er, Apple Music—library for at least seven or eight years. Originally titled “Unrepentant Throwbacks,” this one went after a certain strain of college rock that emphasized guitars, odd lyrics, borderline competent vocals, and weird band names. You know, like R.E.M..
Only there were probably hundreds of bands that mined the same lode that they did, who never looked beyond their original sound and never got the major league deal. I asked some friends on Facebook and got over 100 great suggestions, which I couldn’t fit into this sixty-minute slot. I’ll post the full list later; it was awesome.
Anyway, hope you enjoy this sixty minute blast of nostalgia, which for some of you will take you back to before you were born. And see you again, sooner than you think.
Fun & Games – The Connells (Fun & Games)
Do It Clean – Echo & The Bunnymen (Songs To Learn & Sing)
I Want You Back – Hoodoo Gurus (Stoneage Romeo)
Watusi Rodeo – Guadalcanal Diary (Walking In The Shadow Of The Big Man)
Talking In My Sleep – The Rain Parade (Emergency Third Rail Power Trip: Explosions In The Glass Palace)
With Cantaloupe Girlfriend – Three O’Clock (Sixteen Tambourines/Baroque Hoedown)
Kiss Me On The Bus – The Replacements (Tim [Expanded Edition])
I Held Her In My Arms – Violent Femmes (Add It Up (1981-1993))
Voice Of Harold – R.E.M. (Dead Letter Office)
Writing the Book of Last Pages – Let’s Active (Big Plans for Everybody)
Think Too Hard – The dB’s (The Sound of Music)
Spark – The Church (Starfish)
My Favorite Dress – The Wedding Present (George Best Plus)
Muscoviet Musquito – Clan of Xymox – Clan of Xymox (Lonely Is an Eyesore)
Tripped Over My Boot – Storm Orphans (Promise No Parade)
I had to do a presentation at work, and someone asked me the question I’ve been waiting for all my life: “What’s your walk-on music?”
I answered, immediately, without hesitation: “Rebirth of Slick (Cool Like Dat)” by Digable Planets.
See, the jazz-inflected hip-hop that was being made in the early 1990s, when I was in college, was the first hip-hop that I learned to appreciate. Before then I was as casually racist about “rap music” as any kid raised on classic rock radio in the South. But then began my great awakening. I don’t remember what the first thing was; probably Gangstarr’s “Jazz Thing” on the Mo Better Blues soundtrack. Eventually it completely got under my skin, with the result that this was a playlist that was a complete joy to put together.
Sure, a lot of it is the Native Tongues groups — Jungle Brothers, De La Soul, Tribe Called Quest. There’s also a lot of groups influenced by the scene, like Us3 (the Blue Note hosted group that actually played their samples), the Roots (of course), the crazy MF Doom + Madlib collaboration Madvillain; and latter day follower Kero One. And off to the side stands Gangstarr and Guru, who arrived at the combination of jazz and hip-hop through their own path.
There’s also a lot of actual jazz in these tracks, whether sampled (Art Blakey and the Jazz Messengers on “Rebirth of Slick”, Lou Donaldson on “Le Bien, Le Mal”, Roy Ayers on “Borough Check”, Grant Green on “Vibes and Stuff,” Bill Evans on “Raid”, Jimmy McGriff on “God Lives Through”) or live: Ron Carter playing along with MC Solaar on “Un Ange en Danger” and Roy Ayers (again!) playing with the Roots on “Proceed II.” Both of the latter are on the fantastic compilation Red Hot and Cool, which I can’t recommend highly enough, especially for the tracks from the Pharcyde and the Last Poets, neither of which I can play on the radio.
Wherever the music comes from, that funky music will drive us til the dawn. Let’s go! Let’s boogaloo until…
Please do not attempt to adjust your set. There is nothing wrong. We have taken control as to bring you this special show, and we will return it to you as soon as you are groovy.
Rebirth of Slick (Cool Like Dat) – Digable Planets (Reachin’ (A New Refutation of Time & Space))
Proceed II – The Roots with Roy Ayers (Stolen Moments: Red Hot + Cool)
Manifest (Alternate) – Gang Starr (No More Mr. Nice Guy)
Because I Got It Like That – Jungle Brothers (Straight Out the Jungle)
I Got It Goin’ On – Us3 (Hand On The Torch)
Plug Tunin (Last Chance To Comprehend) – De La Soul (3 Feet High And Rising)
Kool Accordin’ 2 a Jungle Brother – Jungle Brothers (Done By the Forces of Nature)
Vibes And Stuff – A Tribe Called Quest (The Low End Theory)
Borough Check – Digable Planets (Blowout Comb)
Un Ange En Danger – MC Solaar with Ron Carter (Stolen Moments: Red Hot + Cool)
Raid (Feat. MED) – Madvillain (Madvillainy)
Give Thanks (feat. Niamaj) – Kero One (Windmills of the Soul)
God Lives Through – A Tribe Called Quest (Midnight Marauders)
Le Bien, Le Mal – Guru Featuring Mc Solaar (Jazzmatazz Volume 1)
Feels like a good time to go to outer space! Here’s an hour of space-themed tunes for this Friday that veers from funk to jazz to whatever the heck that Flying Lotus track is. Enjoy!
Also Sprach Zarathustra – Berlin Philharmonic Orchestra, Karl Bohm (2001: A Space Odyssey (Soundtrack))
P-Funk (Wants to Get Funked Up) – Parliament (Mothership Connection)
Space – Prince (Come)
Leave the Planet – Galaxie 500 (On Fire)
Space – M.I.A. (MAYA)
Space Is the Place – Sun Ra (Space Is The Place (Original Soundtrack))
The Planets – Gary Bartz NTU Troop (Harlem Bush Music – Uhuru)
Innerstellar Love – Thundercat (It Is What It Is)
Boom Boom Satellite – Sigue Sigue Sputnik (Dress for Excess)
See The Constellation – They Might Be Giants (Apollo 18)
Space Station #5 – Montrose (Historia de la Musica Rock: Locas)
Hallo Spaceboy – David Bowie (Outside)
Satelllliiiiiiiteee – Flying Lotus (Cosmogramma)
Ladies and Gentlemen We Are Floating In Space – Spiritualized (Ladies and Gentlemen We Are Floating In Space)
Space Suit – They Might Be Giants (Apollo 18)
Drift – Brian Eno (Apollo: Atmospheres & Soundtracks)
It’s that time again… time for a new Hackathon radio mix. The latest entry in the Exfiltration Radio series deals in spookiness and mystery, and lots and lots of black. It’s a gothic and goth-adjacent postpunk sort of set, and it’s a lot of fun even if you don’t wear black on the outside. Another one is coming soon, so stay tuned!
10:15 Saturday Night – The Cure (Three Imaginary Boys)
Bela Lugosi’s Dead (Official Version) – Bauhaus (The Bela Session)
Pink Flag (2006 Digital Remaster) – Wire (Pink Flag)
Not Great Men – Gang Of Four (Entertainment!)
Shadowplay – Joy Division (Unknown Pleasures)
Gathering Dust – Modern English (Mesh & Lace)
In the Flat Field – Bauhaus (Swing the Heartache: The BBC Sessions)
Halloween – Siouxsie & The Banshees (Ju Ju (Remastered))
Somewhere – The Danse Society (The Indie Years : 1983)
Love Like Blood – Killing Joke (Night Time)
Lucretia My Reflection – The Sisters of Mercy (Floodland (Deluxe Version))
A Short Term Effect – The Cure (Pornography)
Song to the Siren – This Mortal Coil (It’ll End in Tears)
It’s another Hackathon at Veracode, and time for another playlist. This time around we get an hour of jazz and jazz-adjacent Hammond organ, for your ass. This is not your ballpark organ music, he said, glaring sternly at the interrogator; it’s something that should be deep in your soul.
There’s lots of Jimmy Smith on this, as God intended, but there’s also Groove Holmes and Ronnie Foster and Jimmy McGriff and Dr. Lonnie Smith and James Brown and the latter-day Delvon Lamarr and… just listen already!
Iron Leg – Mickey & The Soul Generation (Iron Leg)
The Cat – Jimmy Smith (Talkin’ Verve)
Finger Lickin’ Good – Jimmy McGriff & Groove Holmes (Dueling Organs)
I Want To Hold Your Hand – Grant Green (I Want To Hold Your Hand)
Top Going Down, Bottom Going Up (Live) – Delvon Lamarr Organ Trio (Live at KEXP!)
Mystic Brew – Ronnie Foster (Two Headed Freap)
The Bird – Jimmy McGriff (Groove Grease)
Sagg Shootin’ His Arrow – Jimmy Smith (Root Down)
Devil’s Haircut – Dr. Lonnie Smith (Boogaloo To Beck)
Grits (Extended Version) – James Brown (Grits & Soul (Instrumentals) [Expanded Edition])
This is the second of two recent Hackathon playlists, and where The Holy Ghost was all about the Spirit, this one’s all about the body.
I have trouble believing that 1988 was thirty years ago, but then I also have trouble believing that my being old enough to drink happened before some of my youngest coworkers were born.
Lots of material that I omitted that might have made a volume II, in favor of more recognizable (though still oblique) corners of 1988. But it’s worth recognizing that the iconic rubbery shredding guitar on that iconic early Morrissey solo number is by none other than Durutti Column frontman Vini Reilly. And that Janet Jackson wouldn’t do anything as innovative as Rhythm Nation for basically the rest of her career (though she’d have bigger hits). And that Madonna would ultimately prove more transgressive than what Thurston did to “Into the Groove,” but that the combination of the two would be as dark and unsettling as Leonard Cohen. And… Well, you get the picture. There was a lot of darkness around the corner everywhere in the late 1980s.
Eye of Fatima, Pt. 1 – Camper Van Beethoven (Our Beloved Revolutionary Sweetheart)
Birth, School, Work, Death – The Godfathers (Big Hits, Skinny Ties:New Wave)
In Your Room – The Bangles (Everything)
I Don’t Mind If You Forget Me – Morrissey (Viva Hate)
Peek-A-Boo (Single) – Siouxsie and The Banshees (Peep Show)
Cupid Come – My Bloody Valentine (Isn’t Anything)
Everybody Knows – Leonard Cohen (I’m Your Man)
Into The Groovey – Ciccone Youth (The Whitey Album)
Miss You Much – Janet Jackson (Janet Jackson’s Rhythm Nation 1814)
Silver Rocket – Sonic Youth (Daydream Nation)
Coldsweat – The Sugarcubes (Life’s Too Good)
Dad I’m in Jail – Was (Not Was) (What Up, Dog?)
Don’t Believe the Hype – Public Enemy (It Takes a Nation of Millions to Hold Us Back)
Christine – The House of Love (The House of Love)
Carolyn’s Fingers – Cocteau Twins (Blue Bell Knoll (Remastered) [Remastered])
It’s been a hard day for many folks, after a hard year and 259 days. But in these days you have to do what you can, and not worry about what you can’t.
For me that translates to seeking out what’s important in music. Which is why the fifth volume in my series of one-hour Exfiltration Radio shows is about spiritual jazz.
(Why that name? The music takes some of the techniques of free jazz and infuses it with the searching, looking beyond that Coltrane brought to the table with A Love Supreme. It’s a broad banner, as the multiple volumes of the Spiritual Jazz compilation series show.)
This one mixes up a track from one of my favorite McCoy Tyner albums, his Extensions, with other tracks from Alice Coltrane, Donald Byrd, Wayne Shorter, Rahsaan Roland Kirk, the redoubtable Pharoah Sanders, and a few other goodies that I’ve found over the years on Bandcamp or other spots. It’s a good one-hour introduction if you’re feeling sinister—and it’s a good reminder that not everything that is in the world is of the world.
Enjoy…
Rainbow Warriors – Alan Braufman (Valley of Search (Reissue))
Journey In Satchidananda – Alice Coltrane (The Impulse Story: Alice Coltrane)
Message From The Nile – McCoy Tyner (Extensions)
Dance! Dance, Eternal Spirits – Joe Bonner with David Friesen, Billy Harper, Virgil Jones, M (Black Saint)
Elijah – Donald Byrd (A New Perspective)
Ja Mil – Hastings Street Jazz Experience (Spiritual Jazz)
JuJu – Wayne Shorter (JuJu (Rudy Van Gelder Edition))
Spirits Up Above – Rahsaan Roland Kirk (Volunteered Slavery)
My other Hackathon mix is here. This is a true mixed-genre, anything-goes hour of stuff, with everything from Devo to shoegaze to Folkways to the late Philip Levine. I’m really enjoying this format, btw—though it’s hard to edit down to an hour, it feels like these come together much more rapidly than the bigger mixes I’ve been doing before. Enjoy!
Time Out for Fun – Devo (Oh No! It’s Devo)
Do You Like Me – Fugazi (Red Medicine)
Blonde Redhead – DNA (“Fame” (Jon Savage’s Secret History of Post-Punk 1978-81))
Junun – Shye Ben Tzur, Jonny Greenwood & The Rajasthan Express (Junun)
Exhumed – Zola Jesus (Okovi)
Political World (feat. Keith Richards) – Bettye LaVette (Things Have Changed)
Dry Bones – Delta Rhythm Boys (Historia de la Musica Rock: Locas)
Still catching up from Hackathon. I put together a couple of hour-long radio shows that were a lot of fun to build. The first one is an hour of 1970s and 1970s-adjacent jazz. Lots of fun stuff in this, including some electric Vince Guaraldi, tasty jazz organ, some modern finds (Yussef Kamaal for the win), and a little Digable Planets. Enjoy!
Birth Of A Struggle – Wax Tailor (Tales Of The Forgotten Melodies)
Oaxaca – Vince Guaraldi (Oaxaca)
Red Sails In The Sunset – Jimmy McGriff (Groove Grease)
Everybody Loves the Sunshine – Roy Ayers Ubiquity (The Best of Roy Ayers (The Best of Roy Ayers: Love Fantasy))
Mystic Brew – Ronnie Foster (Jazz Dispensary: Cosmic Stash)
Joint 17 – Yussef Kamaal (Black Focus)
Jettin’ – Digable Planets (Blowout Comb)
Ayo Ayo Nene – Mor Thiam (Spiritual Jazz)
Superfluous (LP Version) – Eddie Harris (Instant Death)
Lady Day and John Coltrane – Gil Scott-Heron (Pieces of a Man)
Early Minor – Miles Davis (The Complete In A Silent Way Sessions)
Black Narcissus – Joe Henderson (The Milestone Years)
Infinite Search – Miroslav Vitous (Infinite Search)
We just finished another Veracode Hackathon, and this one was rock and roll themed. One of our brilliant hackers put together an Internet radio station where you could sign up for a one-hour time slot and post a playlist. Naturally, this was catnip. I spent a few hours putting together two playlists, which I’ve embedded below—one all genres and one focusing on (mostly) 21st century jazz.
Production notes: I did some processing of individual audio files through Amadeus Pro and assembled everything in GarageBand. I’m very much still learning how to crawl with the latter tool, so I hope it doesn’t stink too much.
The playlists are below. Enjoy!
Orbits (Live) – Wayne Shorter (Without a Net (Live))
I’ve been working on this one for a while, and today felt like the right day to finish it up. This is an indulgent (over four hours long) tour through at least four different genres, with a common thread of funk.
There’s no particular logic to the sequence except that they’re loosely grouped by genre so as to keep the groove flowing. And the first track might seem odd, but listen to Carleton Coon and Joe Sanders trading scat syllables (in a style that will seem familiar to fans of the Warner Brothers cartoon “Dough for the Do-Do”) and the connection to funk becomes clear.
Roodles – The Coon-Sanders Nighthawks (“Radio’s Aces”)
Calling On My Darling – Albert King (Chess Blues 1960-1967)
Grab This Thing (Part 1) – The Mar-Keys (The Stax Story)
Black Boy – Roebuck ‘Pops’ Staples (The Stax Story)
I Have Learned to Do Without You – Mavis Staples (The Stax Story)
Sissy Walk (Full) (Vocal) – Eddie Bo (The Hook and Sling)
Tighten Up Tighter (Feat. Roosevelt Matthews) – Billy Ball and the Upsetters (The Funky 16 Corners)
Dap Walk – Ernie and The Top Notes Inc (The Funky 16 Corners)
Check Your Bucket (Full) – Eddie Bo (The Hook and Sling)
Sock It To ‘Em Soul Brother – Bill Moss (Eccentric Soul: The Capsoul Label)
Hey Pocky A-Way (A Way) – The Wild Tchoupitoulas (The Wild Tchoupitoulas)
The Meters – Here Comes The Meter Man – DJ Jedi (Blowout Breaks)
The Headhunters – God Made Me Funky – DJ Jedi (Blowout Breaks)
Honky Tonk (Parts 1 & 2) – James Brown (Messing With The Blues)
Outer Spaceways Incorporated – Sun Ra (Space Is The Place (Original Soundtrack))
Umbrellas – Weather Report (Weather Report)
Red China Blues – Miles Davis (Get Up With It)
Harvey Mason – Hop Scotch (1975) – Herbie Hancock (Herbie Hancock – Man With a Suitcase)
Eddie Henderson – Ecstasy (1978) – Herbie Hancock (Herbie Hancock – Man With a Suitcase)
Whitey on the Moon – Gil Scott-Heron (Small Talk At 125th and Lennox)
The Last Poets – Black Is – Chant – DJ Jedi (Blowout Breaks)
Ku Mi Da Hankan – The Elcados (Nigeria Rock Special: Psychedelic Afro-rock & Fuzz Funk In 1)
Everybody Likes Something Good – Ify Jerry Crusade (Nigeria 70 – Lagos Jump)
Live in Another World – Itadi (Afro-Beat Airways)
The Things We Do In Soweto – Almon Memela (Next Stop Soweto 4: Zulu Rock, Afro-Disco & Mbaqanga 1975-19)
Do The Afro Shuffle – Godwin Omabuwa & His Casanova Dandies – Godwin Omabuwa & His Casanova Dandies (Nigeria Afrobeat Special: The New Explosive Sound In 1970�)
I struggled with this mix for quite a while, and probably have two other mixes of rejected tracks even though the final version clocks in at 2 CDs’ length. The hard bit is always mood. Summer is easy mixin’ weather; winter, especially this winter, was hard.
And a lot of this mix struggled with the challenge of a world turned upside down. So there are a few more instrumental tracks, a few more down tracks. But it starts in a place of fragile hope, with Lou Reed’s incredibly timely song of transsexual identity which is equal measures crisis and birth of the new, and ends in a place of defiance. And maybe that’s what we have left to ourselves right now.
Candy Says (Closet Mix) – The Velvet Underground (Peel Slowly and See)
Silver – Echo & The Bunnymen (Songs To Learn & Sing)
Boys Keep Swinging – David Bowie (Lodger)
Damaged Goods – Gang Of Four (Entertainment!)
Devotion – Mission of Burma (Signals, Calls and Marches (Remastered))
World Cup Drumming – Mclusky (My Pain and Sadness Is More Sad and Painful Than Yours)
Electioneering – Radiohead (OK Computer)
The Great Curve (live) – Talking Heads (Jaap Eden Hall, Amsterdam, The Netherlands, December 11, 1980)
Wish Fulfillment – Sonic Youth (Dirty)
As I Went Out One Morning – Bob Dylan (John Wesley Harding)
Time, As a Symptom – Joanna Newsom (Divers)
Morning Lake – Weather Report (Weather Report)
Sense Of Doubt – David Bowie (Heroes)
What Will You Say (feat. Alim Qasimov) – Jeff Buckley featuring Alim Qasimov (Live at L’Olympia)
This Room – The Notwist (Neon Golden)
Politician Man – Betty Davis (The Columbia Years 1968-1969)
For What It’s Worth – Talk Talk (The Very Best Of)
Above Chiangmai – Brian Eno (Ambient 2: The Plateaux of Mirror)
Magpie to the Morning – Neko Case (Middle Cyclone (Bonus Track Version))
State Trooper – Bruce Springsteen (Nebraska)
Daphnia – Yo La Tengo (I Am Not Afraid Of You And I Will Beat Your Ass)
The Sky Is Broken – Moby (Play)
Here Come the Warm Jets (2004 – Remaster) – Brian Eno (Here Come The Warm Jets)
Give Me Cornbread When I’m Hungry – John Fahey (The Dance Of Death & Other Plantation Favorites)
After Awhile – Swan Silvertones (Love Lifted Me / My Rock)
The Last Broken Heart (Prop 8) – Christian Scott (Yesterday You Said Tomorrow)
Mystic Brew – Vijay Iyer Trio (Historicity)
Why Was I Born? – Kenny Burrell And John Coltrane (Kenny Burrell With John Coltrane)
Meeting in the Aisle – Radiohead (Airbag/How Am I Driving?)
The Last Ray – This Mortal Coil (It’ll End in Tears)
Cedars of Lebanon – U2 (No Line On the Horizon (Deluxe Edition))
We Float – PJ Harvey (Stories From The City, Stories From The Sea)
No Headstone On My Grave – Esther Phillips (Oxford American 2003 Southern Music CD No. 6)