- James Brown, “Funky President (People It’s Bad)”
- William S. Burroughs, “When Did I Stop Wanting to Be President”
- The Cure, “Primary (Morgan Studio Outtake 9/80)”
- Max Roach, “Freedom Now”
- Sam Cooke, “A Change Is Gonna Come”
- Virginia Glee Club, “I shall not die without a hope” (Testament of Freedom)
- Jay-Z and Danger Mouse, “Dirt Off Your Shoulder”
- Youssou N’Dour, “Hope”
- Branford Marsalis, “Freedom Suite: Interlude”
- The Flaming Lips, “Suddenly Everything Has Changed”
- Arcadia, “Election Day”
- Extra Golden, “Obama (Live, KEXP)”
- Funkadelic, “One Nation Under a Groove”
- Bob Dylan, “Things Have Changed”
- Parliament, “Chocolate City”
- Lou Reed, “Voices of Freedom”
- Miles Davis, “Freedom Jazz Dance”
Yesterday was our “day off” between the Mass in C performance on Friday night and today’s 9th Symphony performance. Of course, the “day off” included the morning’s orchestra dress rehearsal of the 9th, which was a treat to be a part of. We had the best seat in the house to watch guest conductor Christoph von Dohnányi (with whom I previously sang Stravinsky’s Oedipus Rex) rehearse the first three movements. He’s a painstaking conductor, stopping in the middle of an open dress rehearsal to synchronize presto string entrances in several places.
The fourth movement was a lot of fun to sing. It was sometime around 12:30 when we hit the big fugue in which the tenors enter on a fortissimo high A, so I was finally in voice (when the rehearsal began with warmups at 9:30, I didn’t have much above an E), and I saw quite a few heads in the crowd bounce in shock when we nailed the note. It should be fun this afternoon.
I was two or three years out of college when I first listened to Isaac Hayes seriously. I had picked up Shaft in college but, aside from the title track, it didn’t speak to me. I mean, flutes? Really? I just couldn’t get past the instrumentation. I knew there was something funky there but it wasn’t finding me.
And then I picked up, for some unknown reason, the soundtrack to Stealing Beauty, which leads off with Hoover’s (later Hooverphonic’s) “2 Wicky.” I was never a big Hooverphonic fan, but “2 Wicky” set off all kinds of bells in my head, primarily because of the opening, which I knew had to be sampled from somewhere. I did some digging and found it had come from the lead off track on Isaac Hayes’s Hot Buttered Soul, an album I had always assumed was a goof like Shaft. But I was hooked on that opening guitar + backing vox riff, so I picked up Hot Buttered Soul.
And I couldn’t put it down.
That weekend I was driving around Raleigh, North Carolina, with some college friends–we were there for a wedding–and I couldn’t pull the disc out of my car player. I must have played “Walk On By” and “Hyperbolicsyllabicsesquedalymistic” about a hundred times that weekend. The album was so over the top, so drenched in drama and sound, but somehow it touched the same funky center, breathed the same groove, as the Parliament and James Brown that I had been marinating in for the previous four or five years. And it reached deeper than those cuts in some ways–Hayes projected a pain and vulnerability that you’d never hear from the Godfather of Soul.
I was smacked sideways when I heard yesterday about Isaac Hayes’s death. It seems like someone who touched the human condition so deeply shouldn’t be allowed to go so quickly.
Courtesy the Boston Globe, here’s Amanda Palmer’s opening number from her performance at last night’s EdgeFest. I’m very envious of the TFC members who sang behind her for one of the numbers, though I am curious if she had them wear makeup…
… are the fun weeks, aren’t they? I feel like I’m up to my eyeballs in work and yet the week just started.
- I’m within striking distance of reaching zero unlistened to tracks in my iTunes library, after almost two years of dedicated listening to ensure that I listened to every track in the library at least once. As of the end of the Great CD Ripping Project that was around 20,000 tracks; it’s a bit more now. I’ve got it down to fewer than 500 tracks that haven’t been listened to at least once.
- I’m starting to like this theme; think I’ll stick with it a while longer. If I get bored I’ll always switch it to Stripped.
Peter Gabriel’s RealWorld Studios have teamed up with Bowers & Wilkins (B&W speakers) to bring an online music club targeted at audiophiles. It’s not really a store, because the service offers only subscription pricing and the content is exclusive–up and coming musicians recording at RealWorld. The B&W Music Club is part of a set of B&W content offerings, including a blog and an article series on the industry. The intention appears to be to start conversations about bringing high fidelity audio back into the picture, after “audiophile” concerns have been pushed to the side for a few years by the prominence of MP3. It’s a smart marketing strategy for B&W, of course, who have their fingers in both the traditional high-end speaker market and the iPod accessory field; they have a strong interest in making sure that music listeners find out that uncompressed audio through premium speakers sounds much, much better than MP3s through earbuds. This is a classic market education play, in other words, and one that (presumably) has the benefit of sounding really good.
I would appear to be in the target market for this announcement; my primary home listening speakers are B&W bookshelf units (Series DM602s), and when I rip audio rather than purchasing it online, I rip losslessly to Apple Lossless Audio, the same format as the new B&W service. I think I need to check out the free trial of the service to give a better opinion on what it can provide.
- Italian men, “Su Tenore A Ballu” (field recording)
- M.I.A., “Bamboo Banga”
- The Beatles, “She Said She Said”
- The Arcade Fire, “Neighborhood #2 (Laïka)”
- Vampire Weekend, “Cape Cod Kwassa Kwassa”
- Beirut, “Elephant Gun”
- Guided by Voices, “As We Go Up, We Go Down”
- Elvis Costello, “Clown Strike”
- Talking Heads, “Stay Up Late”
- Grandpaboy, “Psychopharmacology”
- Elvis Presley, “Crawfish”
- Sharon Jones and the Dap-Kings, “100 Days, 100 Nights”
- Bob Dylan, “Call Letter Blues”
- Sonic Youth, “Shoot”
- Black Angels, “You in Color”
- Mission of Burma, “Dead Pool”
- Radiohead, “House of Cards”
- Frank Sinatra, “Last Night When We Were Young”
- Duke Ellington, “The Controversial Suite (Later)”
- Low, “In Metal”
- Big Star, “I’m In Love With a Girl”
Copies to the usual suspects on request; just leave a comment. (Man, it’s been a long time since I’ve been able to say that!)
Update: Art of the Mix came back online sometime since I wrote this, so the mix is linked now.