It’s been a great ride under President Obama. I’m not looking forward to what tomorrow will bring. Because tomorrow I have to stop ignoring the reality of last November’s election and dig in.
I was listening to Hamilton for the first time last week when I was traveling (I know. I’m the last person on earth to hear it), and when we got to George Washington’s farewell address, it got me thinking about Fortuna, the (lowercase-w) wheel of Fortune. How Washington set precedents for the peaceful transfer of power that all 44 presidents since him have followed, but that Donald Trump seems determined not to.
I think we’re going to find out in the next few years just how much that we take for granted in our public life—in the life of our Republic—is set by precedent rather than law, and how easily those precedents can be overturned.
Rands in Repose: One Thing. A good description of some of the psychology behind the Deming principle of minimizing work in progress.
You cross the threshold of inbox usefulness when you begin to mistake the act of managing the importance rather than acting on the importance. Speaking as a human who has crossed this uselessness threshold multiple times, I am prepared to declare that I am 100% done with productivity products. There is a better, simpler, and more productive way.
Today was the first time I had visited Natural Bridge in more than eleven years. (You can read my previous write-up.) The bridge continues to be more imposing than can be easily absorbed, as the photo above hopefully shows.
This time I walked further up the path along Cedar Creek. (I had, after all, paid my $8 for access to the trail.) I passed a reconstructed Indian village – don’t flinch, it was done sensitively – and a cave, and made my way to the Lace Falls. Seeing more of the Bridge made me better appreciate Thomas Jefferson’s pilgrimages there – and his practical desire to explore the area’s mineral resources, including opening a saltpeter mine just up the creek.
I only made one full circuit of the store, but during that circuit I found first editions of the following:
Ray Bradbury’s Toynbee Convector(1988), which he published when I was in high school but which I’ve never read
Porte Crayon‘s The Old South Illustrated (1959), the first major collection of his published works, including Virginia Illustrated and first appearance of the “typical 1850s UVA student” drawing that the Virginia Glee Club has used for years
And Countee Cullen‘s Copper Sun (1927), pictured above, his third published book.
The Cullen is a beautiful work, illustrated in an art deco inspired style by the unrelated Charles Cullen, and featuring some of Countee Cullen’s most shattering poems, including “Threnody for a Brown Girl.” A Google search shows that first editions can go for north of $300; I got very lucky to find it for less than a tenth of that.
I’m an occasional podcast listener. I subscribe to a handful, all music, including the mighty Funky16Corners and Iron Leg and a few from KEXP. Because all three of these have some shows that last a half hour or more—typically longer than my commute—I tend to binge-listen to catch up.
I had a long drive down to North Carolina starting Sunday and took the opportunity to catch up on my listening. I almost fast forwarded past the KEXP live sessions entries, but I’m glad I didn’t. Something about the announcer made me want to listen to the first episode I had downloaded, from an artist named Kate Tempest.
What an amazing session. Twenty-five minutes or so of live hip-hop and spoken word, telling the story of a group of Londoners and their lives at 4:18am. The net effect is somewhere between The Streets and Hamilton for the immediacy of the verbal portraits and the breadth of the impact. Well worth checking out.
Particularly funny is reading, after-the-fact, the commentary claiming that Nokia, Blackberry and others had such a big lead in mobile device design. Ten years on, it’s even more apparent than ever that all mobile prior to the iPhone was just a prelude. And every successful device since then has leveraged the same design architecture—big touchscreen, flat device, minimal hard buttons—whether from Apple or from any one of a galaxy of imitators.
I’m still working my way through the February 1951 Virginia Spectator, which has some interesting treasures beyond the Pogo-related content we wrote about yesterday. In particular, here’s a set of cocktail recommendations for Midwinters drinking, proving that straight bourbon and beer didn’t always prevail (though certainly “Mad Men” style sexism did).
In fact, as one might expect from the mid-century period, there’s no bourbon in any of these cocktails, or any dark liquor at all (aside from a little rum). None of these cocktails is fancy, but they’re mostly true to their models—with the possible exception of the fruit salad on the Zombie. Enjoy!
1 part French Vermouth
4 parts Dry Gin
Stir with cracked ice, strain and serve with stuffed olive.
3/4 oz lime juice
3/4 oz pineapple juice
1 tsp. syrup
1 oz white rum
1 oz gold rum
1 oz Jamaica rum
1/2 oz demerara rum
1/2 oz apricot liqueur
Shake violently, strain into 14 oz zombie glass, 1/4 filled with ice. Float splash of demerara on top. Spike 1 green cherry, 1 small pineapple stick, 1 red cherry on a toothpick, insert into drink, decorate with mint sprig, dust with powdered sugar.
Pour a jigger of Absinthe into a drip glass, then place a cube of sugar over the drop hole in the upper section, pack with cracked ice, and pour cold water to fill the dripper. When all the water has dripped through you’re ready to deteriorate.
Juice 1/2 lime
1 tsp sugar
2 oz rum
Shake well with cracked ice and strain.
1 cube sugar
1 dash angostura bitters
Place sugar in glass and saturate with bitters. Pour chilled champagne over and serve without stirring.
As previously mentioned, I now have my copy of the February 1951 Virginia Spectator, the “Pogo issue” of the University of Virginia student magazine that started out as the literary magazine (jointly published by the Jefferson and Washington Societies) but was by the 1950s more a college humor magazine with the occasional short story thrown in.
Calling this the “Pogo issue” is based on the incredible Walt Kelly UVa-themed cover (above) which I’ve discussed once or twice before, plus the inclusion of two articles: a biography of Walt Kelly and a discussion of the characters in his most famous comic strip. “The Land of the Elephant-Squash,” of which the first three pages are reprinted below, was later reprinted in the Okefenokee Star fanzine and in Fantagraphics reprint collections. “What Makes Pogo Tick?” is less often reprinted. Reading both, there is nothing to tie them to Virginia, but this appears to be the first time both appeared in print.
I’ve scanned several more of the pages in the issue into this Flickr album. Enjoy…