Glee Club Bandcamp: In Concert: Openings and Christmas, 1968

1968 Openings Concert program, first page

This edition of Virginia Glee Club Bandcamp features a surprise I found a few years ago. As the Glee Club historian, I regularly search online for information about the group’s history as more materials are digitized, and this time I found information in an unexpected place: Etsy. In particular, the Etsy shop of an antiques dealer in Florida, who had a Glee Club record that I had never seen before—recordings from 1968, including a fall concert and Christmas.

I bought the thing, of course. I was filled with some trepidation when it arrived and I noted that the album jacket (which was a generic blue cardboard sleeve with no printing or image) was torn in one corner and damaged—possibly even chewed—in another. But the record looked OK. So I dropped it on the turntable, played it, and was delighted to realize that, based on the repertoire, it was indeed a recording of parts of the 1968 Openings Concert and the 1968 Christmas Concert.

The 1968 Openings Concert was notable for a few things. First, it was the fifth year of Donald Loach’s tenure, so while there are definitely signs of his trademark style emerging, it’s not fully there. Second, the Openings program in particular opened for the first time with a song that would become part of Loach’s signature repertoire, “Hark, All Ye Lovely Saints Above,” but then featured a set of twentieth-century compositions that the group would return to only a few times in his tenure: “Here is the God Who Looks Both Ways” and “Thy Word is a Lantern.” Most durably in terms of the group’s repertoire, the Openings Concert also featured the debut recording of “Vir-ir-gin-i-a,” arranged by Loach from a march tune of Handel and featuring a text written by former Glee Club member Arthur Kyle Davis, Jr.

We actually know less about the Christmas Concert, as we have not found a full program listing. But the recording has a few highlights, including the earliest known performance of the “Gloria” from Josquin’s Missa Mater Patris, a work that the Glee Club would not perform again for another 24 years. The Dufay “Gloria” is spectacular here, as is the unexpected closing, the coronation scene from Boris Godounov by Mussorgsky.

Have a listen, and if you enjoy it, please remember that all proceeds from Glee Club Bandcamp sales go directly to support the Virginia Glee Club.

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