Preparing John Adams’ “Transmigration”

This coming weekend will mark the culminating celebration of the centennial of the Pulitzer Prize, with a two day series of symposia and concerts at Harvard University. I’ll be singing on Sunday night, not coincidentally the 15th anniversary of September 11, as part of a performance of John Adams’ On the Transmigration of Souls.

The Adams work was commissioned for the first commemoration of the 9/11 attacks and was first performed September 12, 2002. It’s a powerful work that combines symphonic and children’s choruses, orchestra, and tape of voices reading names of 9/11 victims, fliers that were left, and interviews with families. From a performer’s perspective, the great thing is that the music is so rich and demands so much attention for pitch and rhythm that it’s very unlikely that we’ll get swallowed by the subject matter and become too choked up to perform—which might otherwise be a very real danger.

It’s going to be a very atypical performance for the TFC, as it is not a BSO performance and is held in an unusual venue for us—though not a new one for me, as I performed in Sanders Theater in 1993 with the Virginia Glee Club, almost 23 years ago.

Some free tickets are still available. It should be a hugely worthwhile event. I’m only sorry I won’t be able to see Wynton Marsalis in his part of the event the night before.

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