On the road again

I had a great visit with Esta. Don’t let anyone tell you seminarians don’t have fun. I have a bunch of photos of the first invitational Ultimate Frisbee Revival, featuring competition between Union PSCE, Louisville, Princeton, and Columbia (as well as Pittsburgh—thanks, Esta for the reminder).

Now I’m on the road again, back home—and, as Lisa is working in New York next week, the dogs are staying here with her parents.

I’m on the road a lot right now. I have a couple of classes a week that I teach for an SAT prep company, and they’re cutting a bit of a hole in my vacation. So now I’m heading back for a couple of days to take care of this week’s classes. After that, I’m not sure—but I might take advantage of the free doggie day care to do some other visiting. We’ll see…

If your fields need rain

…call me, and I’ll drive there. And it will rain.

Seriously, except for Tuesday, it’s rained every single driving day I’ve had. As the kids say, what up with that?

Today I’m heading to Richmond to hang with Esta and those wild seminary kids. I haven’t seen my sister in her new home digs, so this should be fun. Looking forward to crazy partying tonight.

In the meantime, enjoy these other photos from the road.

Hell is downloading MP3s over dialup.

Nuff said, really. I found I was getting that first-of-the-month-so-my-EMusic-account-has-reloaded-new-music-jones on Tuesday (yes, several days late—it’s been that kind of month, thankyouverymuch) and so tonight I decided heck with it, it’s after 10, I’m going to go to EMusic and download some stuff.

An hour later, what do I have to show for it? Two tracks. Out of 40. Doing that math, the download will be done sometime around dinner tomorrow.

Maybe I’ll just have to arrange a visit to the Asheville Starbucks—the only place around that I’m sure has WiFi—tomorrow to wrap things up.

(For the curious, I’m waiting for Sam Prekop’s eponymous release, Coldplay’s debut EP, Chet Baker’s Chet, disc 6 of Bill Evans’s The Last Waltz, and the Black Keys’s Thickfreakness. All of which should be fabulous if I can ever hear them.)

(Also for the curious and new readers, my parents only have dialup because (a) my dad only does email and (b) they can only get satellite, not cable and (c) satellite-based high-speed is pretty expensive for a retiree and (d) they’re pretty far out in the country so well out of range for DSL.)

Natural Bridge, Virginia

natural bridge

As a Virginian by accident of birth, rather than lineage (as my parents’ families were from the surrounding states of North Carolina and Pennsylvania), and as one raised in the “cradle of the Revolution” in the vicinity of Jamestown, Williamsburg, and Yorktown, I have conflicting impulses about historical sites in Virginia. The former impulse says that I should seek out those sites to understand the state in which I was born. The latter impulse says that I should shun the sites and their accompanying flood of hucksterism, sweaty tourists, and admission fees that have inexplicably kept pace with movie ticket prices.

So it is perhaps understandable that—until yesterday—I had never visited the Natural Bridge. Never mind that it was surveyed by George Washington and once owned by Thomas Jefferson, my initial-sake and revered father of The University. Just the fact that I saw billboards for it was enough to put me off. But, yesterday, as I drove down Interstate 81 through the Shenandoah Valley, halfway to my parents’ house, and talking to myself to keep alert, I realized three things:

  1. The site of the Natural Bridge was less than five miles off I-81, and the road it was on ran alongside the interstate—so I would lose no distance and little time getting to and from the site.
  2. I was driving by myself down that road and had a little flexibility in my schedule, and who knows when that might happen again.
  3. I had to use the restroom.

So I pulled off and drove up the road. I was amused to see that the first sign of the Bridge (apart from billboards) was a paddock of deer, grazing in the Natural Bridge Zoo—next to a sign for the Natural Bridge Wax Museum, and just prior to the Natural Bridge Antique Shop and Tool Museum. After a short drive, I pulled up to the imposing neo-plantation Natural Bridge Admissions and Gift Shop building, and stepped outside—and realized that it had been a while since I had experienced 80° weather.

I went inside, past the gift shop, and paid my $10 and went through the door and down the stairs—all 136 of them—to the gatehouse at the bottom of the hill, where the man took my ticket and pointed me around to the right. I stepped through and there, as they say, it was. It’s a massive stone vault or arch that has been carved through by the rather innocuous stream running through the base, and—even with rows of benches permanently installed for the special “Drama of Creation” nightly shows and the sound system mounted on the far side at the top—it’s pretty darned spectacular. My pictures, I’m afraid, do it no justice at all.

Approaching the bridge and looking up, you feel something of the awe inspired by gazing up inside a large cathedral, only this arch was massive and carved over the millennia by water, not craftsmen. The echo under it is pretty spectacular, though I didn’t really test it out too thoroughly.

At any rate, I spent a few minutes walking around and taking pictures—and noting the 19th century names carved in the rock beside the walkway. (Apparently even graffiti was done with an eye to quality then—note the serifs!) Then I began the long climb back up and to the car, avoiding the blandishments of the giftshop (though I was tempted by the custom-label wines from Barboursville, my favorite Virginia winery—and another Thomas Jefferson connection). As I drove back out to the interstate, I realized that I was driving across the top of the bridge—and that the maintainers of the site had built high wooden barriers across the top to keep pedestrians and drivers from getting a free peek.

I highly recommend the bridge as a leg stretcher, provided you can keep a sense of humor about the hucksterism. One does get some of the sense of awe that Jefferson must have felt on discovering the scale of nature’s operations in Virginia, and even gift shops can’t detract from that.

Discoveries I’ve made in the last 72 hours

  1. It is possible to drive five hours, teach a class, answer email, pack, sleep, grade papers, have a job interview, drive a long distance, teach another class, drive to New Jersey, sleep, and drive to North Carolina in the span of two and a half days.
  2. …. That’s it, really.
  3. Except to note that there’s not a lot between Providence, RI and New Haven, CT when you’re driving along I-95 between the two points at 10 PM. (Or, one suspects, at other times.)
  4. And that you aren’t allowed to take pictures from the top deck of the George Washington Bridge.
  5. And that even slow music can keep you awake if you play it really loud.
  6. And that the Natural Bridge is worth a look if you’ve never been.
  7. And that April in Virginia and North Carolina sometimes means 80° days. (I knew that, but had forgotten it.)
  8. And that a memory-card-enabled printer and a USB flash memory keychain drive make an acceptable, if dog-slow, workaround to get your photos if you left your camera’s cable at home.
  9. And that lists are fun.
  10. And that I have no idea what has been happening for the last two days and I should really go to bed.

Traveling light

Lisa and I decided that I should take advantage of some quiet time here in Arlington to go on the road. Naturally, as soon as we made the decision my scheduled filled up with other activities. The end result: I drove Lisa and the dogs down to her parents yesterday; drove back today; drove out to Westborough for some errands tonight; am doing some interviews tomorrow, then driving down to Mattapoisett for other work tomorrow evening; driving from there back to my inlaws in New Jersey, arriving about 1:30 a.m.; then driving from there to my folks. Followed, hopefully, by several days of doing nothing.

Christopher O’Riley: Hold Me To This

christopher o'riley hold me to this

Depending on your turn of mind, Christopher O’Riley’s first album of classical piano transcriptions of Radiohead songs, True Love Waits, was either brilliant or soporific. The album, featuring faithful two-hand renditions of a set of Radiohead classics, was quite a feat from a transcription standpoint, creating playable works that evoked the harmonic and rhythmic complexities of the originals. I was among the camp that found it soporific, unfortunately. After all, instrumental covers of Radiohead are nothing new—jazz piano virtuoso Brad Mehldau has been including brilliant, imaginative improvisations on “Exit Music (For a Film)” and “Everything In Its Right Place” in his sets and on recordings for years. And after a while, “True Love Waits” seems like one sameness after another.

So I approached O’Riley’s follow-up, Hold Me To This, with some trepidation. The formula here is the same, but the songs are different—and that improves the product. Unlike the first recording, where all but one of the 15 tracks appeared on one of Radiohead’s albums, over a third of Hold Me To This is devoted to tracks culled from B-sides. The relative obscurity of the material seems somehow to make for better music; instead of slavish transcriptions, O’Riley adapts the material more freely, with occasionally stunning results. He also wisely eschews the studio versions of some songs in favor of transcriptions of the concert arrangements, such as “Like Spinning Plates.” The back-masking and tape loops that blurred the edges of the original song give way to an arpeggiated introduction reminiscent of the Moonlight Sonata, against which the vocal melody is set off in block chords.

If there is a criticism of the arrangements themselves, it is of their busyness. O’Riley compensates for the two-handed nature of the piano by filling in missing voices with open-voiced runs and arpeggios. Too often this approach yields a harmonically accurate overload of undifferentiated hemidemisemiquavers. When O’Riley allows some space between the notes, as in “Talk Show Host,” “Sail to the Moon,” or the aforementioned “Like Spinning Plates,” the result is like drawing a deep breath. While the charge of “busyness” could just as easily be levied at Radiohead’s original arrangements, O’Riley has some options for simplification that he too rarely uses.

Ultimately, “Hold Me To This” succeeds better than it deserves to as a standalone album. O’Riley’s formidable technique and intricate arrangements never quite recede far enough into the background to let the listener get totally immersed in the music, but there are pleasures to be had in appreciating formidable technique and intricate arrangements, too.

Oh, and that “soporific” thing I mentioned at the beginning? It helps to turn the volume way up.

(Originally published at BlogCritics.)

Whaddaya mean, no one uses the gardens?

Cavalier Daily: Rejuvenating UVA. In the middle of an otherwise informative article on various preservation and restoration projects at Mr. Jefferson’s University is this gem: “Seldom visited by University students, the gardens [behind the Jeffersonian pavilions] are undergoing a revitalization process all their own” (emphasis added).

Hmm. Seldom visited by students, huh? Sure… during the day, that is. Where else do you think Lawnies take their dates at night?

Er…

I mean, yeah, no student ever uses the gardens.

Apropos of this discussion, there’s an illustration in one of the bound Pogo books from the late 1980s—I think it’s Phi Beta Pogo—that Walt Kelly executed for the cover of the Virginia Spectator, then UVA’s humor magazine, in the 1950s. It showed a tired-looking Albert and Pogo pushing an ice-cream cart down one of the roads behind the pavilions. From the bends in the serpentine walls (which were of exaggerated depth for effect) protruded pairs of “his and hers” feet—chastely lying side by side, before you ask—suggesting that whatever the kids were up to in the shadows of the walls, it was a lot more entertaining than the ice cream that Pogo and Albert were trying to sell. It’s a hell of a cover. I wish I could find a copy online; my description doesn’t do it justice. Maybe a friend in Charlottesville could look it up in the library?

Early spring triple play

chain link texture

I published a big backlog of photos to the web just now—three albums’ worth. They span from the last snow pictures of the winter (I hope) to a set at Quincy Market to a few pictures approaching the North End before Easter.

Wow, it feels good to get those out of the camera and online. Pictures aren’t real unless you can share them. (Probably why Kodak is rebranding Ofoto and why Flickr got purchased. Everybody wants to get in on the act.)

WordPress and permalinks and Mac OS X

I’m playing around with a WordPress installation on my laptop for a project, and had a hell of a time getting permalinks to work properly. I figured that my experience might be worth documenting for anyone else who’s playing around with Mac OS X.

I should note that I had to start from the beginning for this installation—I had to install MySQL using Fink, futz around with it until I got it starting reliably and was able to create a database for WordPress, then I had to enable PHP in the Apache httpd.conf file. At that point I was able to run the WordPress installation script and start tweaking options. But permalinks weren’t working.

I started digging deeper and found out why. While on Manila a permalink consists of an anchor on a page generated dynamically by Manila’s custom HTTP server for which the content is assembled in Frontier, WordPress uses Apache’s mod_rewrite to parse the incoming URL, figure out which content is being requested, then get that out of the database and return it in the standard template. Manila’s approach allows the blogging engine to control the whole process from start to finish, while WordPress’s has a series of dependencies: on Apache, on mod_rewrite, and, it turns out, on the file system.

So here, skipping all the tried-and-failed steps, is what I had to do to get permalinks enabled:

  1. Verify that .htaccess actually exists.
  2. Chmod — change the file permissions on the .htaccess file so that WordPress can rewrite it.
  3. With help from a posting on the WordPress support site, figure out that I need to insert some specific language in the httpd.conf file, to wit, some directives for the specific directory where WordPress lives:
    • <Directory /path/to/wordpress>
    • Options Indexes MultiViews SymLinksIfOwnerMatch
    • AllowOverride Options FileInfo
    • </Directory>
  4. And, just for kicks and giggles, update the httpd.conf to add index.html.var to the DirectoryIndex line.

And some combination of those enabled mod_rewrite to work. (This posting on the old Textpattern site provided some insight as well.)

I’ve long admired the flexible navigation that WordPress provided—the ability to have monthly archive pages as well as a calendar, for instance—and it’s apparent to me now that the use of mod_rewrite is what makes that possible. I do wonder about the scalability of that solution—would it survive a Slashdotting?—but it’s interesting, having used Manila for so long, to see how another platform handles the same issues.

It all comes down to money

NY Times: List of Schiavo Donors Will Be Sold by Direct-Marketing Firm. Just when I had resolved to keep my mouth shut about the Schiavo case, this comes along. I’m not sure there’s a more heinous way to repay the kindness of strangers than to sell their personal information to a direct marketing firm.

I think I agree with the angle in this article—that the parents are so focused on their daughter’s last days that they aren’t paying attention to what the people around them are asking them to agree to. But I think that anything coming from the Christian Communication Network’s Gary McCullough, who was present with the Schindlers when the deal was made, or from Phil Sheldon, who actually struck the deal, that talks about morality and values from now on is pretty suspect. Because if there’s something that’s lower than selling the names of people who are donating money to keep your daughter alive to spam merchants, it’s persuading vulnerable and grieving parents that it’s OK to do so.

Followup: Conversing in slow motion

Following up yesterday’s post about BlogPulse’s Conversation Tracker: it seems that the proof of concept tracker doesn’t update very frequently. I turned the Conversation Tracker on itself to see who was spreading the meme about it, and the same links show up today that showed up on yesterday. Neither my post nor Dave Winer’s appears in the list.

I guess I’m spoiled, but based on my experience with tools like Blogdex, Technorati, and Feedster, I expected to see up to date results. Note also that there is an embedded date range in the above link. There does not appear to be a way to bookmark a permalink to get current results for a given conversation; you have to reset the date ranges each time.

Update (31 March): Natalie Glance from Intelliseek was kind enough to point out that the date range parameter is optional on the URL string (though there does not seem to be a way to leave it out when building a new string using the UI). Also a correction—I originally wrote that my original post was made Friday (it was a long day yesterday).

Surely I can’t be the only one who bought one.

As I wrote in December 2003, there are times when company websites fail to provide the information you need. Oddly, that’s still true with the Whirlpool washing machine we bought then; as of now, 15 months later, I’m still the only hit on Google for that model number. (Thanks to reader John B. for pointing that out!) As I told John, the machine worked well for the six months we had it until we sold the house in Kirkland and moved here, so if you find one on clearance as John did, go for it.

One factor in the dearth of info on the model: that model number was apparently sold only at Best Buy. I’m all for segmenting your product line by retailer (well, not really), but companies who do so should make sure that they still provide all the information a customer might need about every model number on the corporate web site.

Echo chamber

Tucson Citizen: ‘Threatening’ T-shirt barred from TCC. See the University of Arizona Young Democrats page for coverage and photos of the T-shirt. Good to know that we’re still using taxpayer dollars to keep opposing viewpoints and political parties at bay. Also, good for the student in question, Steven Gerner, who comes out sounding calm and rational when others (myself, for instance) might be a little steamed:

“It’s really important that I’m an informed citizen. I can’t do that unless I open up and listen to the other position on the issue,” Gerner said. “Regardless of what side of the aisle President Bush is on, he’s still the president of the United States, and it’s an honor to be in the presence of any elected official.”

Thanks to Oliver Willis for the link.