On winning a Grammy

Last night, the Boston Symphony Orchestra and Tanglewood Festival Chorus, James Levine conducting, won a Best Orchestral Performance Grammy for our 2009 recording of Ravel’s Daphnis et Chloe. I blogged our nomination a while ago but am still delighted that we won. All the hard work seems worthwhile today.

Not that my work, as a member of the chorus, is onerous. In fact, I feel like one of the luckiest guys in the world today. We all come from our day jobs to Symphony Hall or Tanglewood, rehearse, and perform, and get to be part of something great together with musicians who train for decades to take that job.

So today, I’m grateful to the musicians of the BSO for letting us come along for the ride, and to our maestro James Levine for leading us down paths of excellence. (Even if, during the concert run for this recording, he did get mistaken for Keith Lockhart.)

Grammy-nominated blogger

The Grammy nominations for 2009 are out, and the Tanglewood Festival Chorus is on the list (along with Beyoncé and Lady Gaga, of course). Our recording of Ravel’s Daphnis et Chloe with the BSO under James Levine got the nod.

I was kind of hoping that our Brahms Requiem recording would be nominated–it’s certainly a more prominent chorus role, and I think it’s one of the best recordings available of the work. But I’m not complaining.

The only question is: do I put “Grammy nominated” on my resumé now? (Of course not, but it’s fun to contemplate.)

Update: I would be doing my BSO colleagues a disservice if I didn’t note that the album is also up for Best Engineered Classical Album and Best Orchestral Performance.