We need a little Christmas

If ever there were a year where we needed a little Christmas, this is it. This song’s appearance on this year’s Holiday Pops got me thinking about my relation to it and curious about its origin.

My family’s normal ambient music ran from classical to easy listening. Though my mom had a few Simon and Garfunkel records in the basement, they weren’t in the rotation; instead you were more likely to hear Neil Diamond (via that one cassette that we had) or something classical on the LP. But in the car it was easy listening, and at Christmas we had the stack of favorite records that got played over and over again. Julie Andrews, the Boston Camerata, the Muppets with John Denver. And Percy Faith.

I didn’t really realize that Percy Faith was a pioneer of easy listening; I just thought this was what music sounded like in the 60s. That bouncy string section; the female singers who sounded as though they were about to break into a dance number.

I finally looked up the original song. Turns out it comes from Mame and was originally performed by Angela Lansbury. Who knew? But it explains something of the damn-the-torpedoes flavor of the lyric, that desperation behind the brassy melody and sense of top-hat-waving that seems to lurk in the background of most performances of the song.

How Americans implement a class system

After years of flying for work, I have to things that I’ve never had before: pre-check clearance and status on an airline. That means I’m suddenly on the other side of a divide that casual travelers see, but often don’t understand. 

What do these things get you? Not much individually in the grand scheme of things, perhaps, but put them together and you get:

  • To go through security without having to undress, or unpack, or wait in line behind someone who has no idea how it all works and takes three times as long, and therefore:
  • To clear security feeling civilized and without sweating through one’s shirt
  • To have a lottery ticket that gives you a shot at a seat in first class
  • To board early and therefore never have to worry if there’ll be room for your bag

That’s a whole different travel experience. And yet I’m conscious that it’s more like flying twenty years ago than anything else (though of course we ran out of overhead storage then too).

But it casts the annoyances of travel in a new light. The security theater is clearly not optional, unless you trade your money and privacy to avoid it. (The questionnaire for Global Entry isn’t arduous, but it gives the government a lot more information about your travel than it would otherwise have.) And the undignified conditions of flying in coach are unavoidable, unless you grit your teeth and stick with a terrible carrier long enough to earn your way past some of them. 

You don’t have to be born to class in America. You just have to trade a tiny amount of your birthright of freedom and choice to acquire it. 

Recent writing elsewhere

I’ve written a series of blog posts on the Veracode blog about application security. Check them out, if that sort of thing floats your boat, or if you just want to see what’s up in my professional life.

Note that I don’t generally write my own headlines, so I don’t claim responsibility for clickbaityness or comma splices. 🙂

The Year of Jubilo

Two streams of media combined for me in the last few days. I finished reading The Underground Railroad last week, and I found The Year of Jubilo on Dust to Digital. Both brought an immediacy to some of what I’ve been thinking and learning about my country and the South in the years before (and during) the Civil War.

The Underground Railroad dramatizes the already-dramatic-enough role that some Southerners played in helping escaped slaves to safer (but not safe) destinations in the North, by mythologizing it. Sort of.

Colson Whitehead preserves a lot of things that really happened in the Underground Railroad, such as concealing runaways in attics and under haybales in wagons, but mythologizes the motivating spirit by envisioning a vast, mysterious underground network of tunnels with real trains running beneath barns and sheds. When Cora the runaway slave asks in astonishment “Who built it?,” the reply comes “Who builds anything in this country?” “Who do you think made it? Who makes everything?”

The unspoken secret: We built it. We built everything in this country. As Whitehead’s messianic Lander says later in the book, “Black hands built the White House.” The secret Whitehead tells is that the Underground Railroad wasn’t made up of well meaning whites with their attics and trap doors; it was built by the slaves themselves who decided they would fight for their freedom.

The flip side of that self determination? “The Year of Jubilo.” This is a Civil War song, written in 1862 by Henry Clay Work as “Kingdom Coming,” and familiar to fans of Tex Avery by its inclusion as the tune whistled by the “Confederate wolf” in “The Three Little Pups.”

Knowing it’s a Civil War era tune doesn’t exactly prepare modern ears for the lyrics. Even without the dialect, lines like “Say, darkies, have you seen the massa with the moustache on his face” are jarring to modern ears. But listening closer, the inversion that the song depicts, with the master running away from the arrival of the “Lincoln gunboats” and pretending to be a runaway slave himself to await capture, while the slaves avail themselves of his wine, is a different facet of the Civil War experience and captures part of the feeling that the world was turning upside down.

End of an era: no more AirPort routers from Apple

Bloomberg: Apple abandons development of wireless routers. End of an era. I just bought a new AirPort router a few months ago and love it, but the handwriting was certainly on the wall with this product that hadn’t been refreshed in three years.

As much as I’ll miss the AirPort brand, this move is consistent with Apple’s product strategy. Contrary to popular opinion, they don’t always insist on making every bit of gear in the ecosystem—only the ones where the existing options aren’t satisfactory. They haven’t made a printer in almost twenty years and got out of external displays earlier this year; dropping out of the wireless business is a logical next step.

Support your local floofy celebrity

Harvard Dangerfield greeting his public at Tanglewood, August 2016
Harvard Dangerfield greeting his public at Tanglewood, August 2016

One of my good friends from the TFC is slightly less famous than her dog. That’s no knock on Dana, but when your dog is Instagram celebrity and gorgeous Samoyed Harvard Dangerfield, you get used to playing second fiddle to his gorgeous floof.

Harvard’s having some health troubles, so Dana has put up a page selling a calendar and some other Harvard merch as a fundraiser. Do your Christmas shopping a favor and pop over and buy a calendar!

Traveling, day whatever it is

Early in a trip, when I’m traveling away from home, the sleep madness awakens me early and I’m madly productive and I think grand thoughts. 

The best thing that happened today, after delivering my talk, was this lunch:


From left to right, that’s olives and fava beans, a lovely Tempranillo, bread, fried fish, and fried eggplant sticks. Not pictured: anchovy concoction that I gobbled down. 

After that, I got to talk UX with the understatedly funny Victoria from Seoul, and then: 

  • Taxi to airport
  • Mercifully brief flight
  • Almost as long train ride
  • Two Underground trains
  • Ten minute walk to my hotel

I’ve decided that my chief error was in not sleeping well last night. At the moment I feel ready to sleep for a week, but I have to be up in three hours to shower before the next taxi and the next flight. 

Looking forward to being home. 

Real Alcázar de Sevilla

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I had a rare opportunity this morning to play tourist in the center of the old city of Seville, and I took it, visiting the Cathedral, its attached bell tower (and former minaret) the Giralda, and the Reales Alcázares de Sevilla. Like the Giralda, the Alcázar has roots in the Moorish Muslim past of Seville, and it’s unlike any place I’ve visited before, with rooms visible from other rooms in a twisting, labyrinthine layout.

I took a lot of photos and will post more soon.