Tracking back on the Requiem

Anita blogged my rambling rant about Mozart’s Requiem. Her comments page has good feedback–particularly comment #3 which correctly calls me on my imprecise musical history. No one is really sure why Süssmayer or Mozart chose to end the final movement with the opening angry Requiem theme, and there is a lot of history between Mozart and Fauré. But at the end of the day, all we are left with is the final artifact. And I still argue that the outraged emotion of Mozart is a more adequate response to the World Trade Center attack than Fauré’s peacefulness–at least from where we sit today, one year on.
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