Remembering

Drone reconstruction of the World Trade Center, NYC, 2026. Courtesy Getty Images

Twenty-five years ago was a long time, long enough for me to have written down my thoughts about the day several times before; long ago enough for the act of remembering to yield to the act of editing, redacting, and constructing a narrative thread of the day.

In September 2001 I was in the second year of business school. On a brilliant blue Tuesday morning, I had just finished writing a blog update and had gone into the library to study. Starting up my web browser to download some course notes, I hit the message on Yahoo (images weren’t loading) that a plane had crashed into the World Trade Center. I went looking for more information and found it at Dave Winer’s Scripting News blog.

Shellshocked, I left the library and walked into the lobby of E-52, MIT Sloan’s main building, where I joined a gathering crowd of students, faculty, administration staff, and others watching the coverage. I saw the videos, and I saw the second tower go down on live TV as I watched. After a while I walked next door to the E-51 lobby, worried about my friend Kate’s fiancé Oli who worked in the financial district. I ran into my finance professor, who was just coming out of class and had no idea what was happening. I told him that both towers had come down and the Pentagon had been hit. “Oh my God,” he said, as if he had been slapped. I found Kate. At the time she hadn’t heard from Oli (he was fine). We just sat and watched and listened.

Lisa had planned a trip to Italy with her parents that was due to leave that day and was with them in New Jersey. The worst part was the train ride back to Boston—there were no planes. She still won’t talk about that journey.

It wasn’t until much later that I learned that my UVA friend Doug Ketcham had been in the Cantor Fitzgerald offices that morning. I sat with the grief of what had happened to him for fifteen years, until I attempted to describe Doug Ketcham to one of my TFC colleagues during a rehearsal for John Adams’ “On the Transmigration of Souls.” And I could not speak. I was suddenly dumbstruck by the immense unfairness of what happened to him: twenty-seven years old, a rising star at Cantor Fitzgerald, who retained enough presence of mind to call his parents from underneath his desk after the first plane hit the towers to tell them that he loved them.

Later on 9/11, I heard that MIT wasn’t taking more blood donors because their infrastructure couldn’t process the mass rush of volunteers. That was before we learned that there was little need for blood, before the awful scope of the casualties in New York and Washington became clear.

That evening, I left my apartment building to make a run for some needed groceries. I saw a young muscular man in his mid-twenties wearing a t-shirt, obviously homemade. The t-shirt said on the front, “Die Raghead Scum.” And In the corner store, I heard a soft spoken talk show host explaining that this wasn’t really America against terrorism but the civilized world against terrorism, because you didn’t know who would be next. I agreed with this assessment, but then he went on to say, “There’s a surprisingly small number of countries in the world that are civilized. Outside of the US and Canada, Europe and Japan, most of the rest of the world are barbarians.”

A week later, with no air traffic and the world still eerily quiet, we started seeing monarch butterflies. One dogged our steps returning to our apartment along Richmond Street. Another one fluttered along beside the Longfellow Bridge, careered across the traffic, and over the other side of the bridge. When we saw it, it was winging lazily across the Charles. There were more of them. Practically every five minutes–on Massachusetts Ave, in the shadow of Calder’s Great Sail… I couldn’t decide, and it seemed very important at the time: had they been there all along and were just leaving? Or had they just arrived from another place, just when we most needed to see them?

Two years later we were in the midst of the 2003 Iraq War, a war fought with the pretext of a 9/11 connection that didn’t exist (the attackers were largely from Saudi Arabia and had no backing from Saddam Hussain). I wrote, “if we’re still in mourning even as we invade and remake nations, we are in danger of seeing the decisions we must face through eyes clouded with the smoke of the past. So I am going to let others remember the day, and I’m going to continue to do my part by asking questions about actions taken in the names of the fallen that I believe do them no honor.”

In 2008, I wrote about Steinski’s sound collage “Number Three on Flight Eleven.” A previously unreleased track collected that year on the veteran mix artist’s retrospective “What Does It All Mean?”, it takes the recorded phone call of American Airlines flight attendant Betty Ong from on board Flight 11 and sets it sparingly above an almost subliminally ominous drone and beat, and in counterpoint to another speaking voice reciting lyrics by Paul Opperman from the Silos’ “When the Telephone Rings” and poems by Basho. It’s an unsettling, frightening track and I can’t listen to it more than once in a blue moon. And yet, there’s something in the end that carries a note of redemption: a repeating coda, the voice of the American Airlines call center reassuring Betty Ong, who’s holding on the line communicating the last moments aboard the hijacked plane, repeating “Yes. We’re still here.”

We’re still here.

As John Irving, who as a novelist is one of our greatest living students of violence, put it in The Hotel New Hampshire, the real question in this violent crime is: did they get the us in us? Did the attack violate us so deeply that it touched our core and twisted who we were? Or are we still here?

There can be no one simple answer. But in the course of that 2016 performance of “On the Transmigration of Souls,” I decided that it is the souls of the living who need the transmigration. We must allow ourselves to be changed, to not continue to stand, breath held, on the edge of that dreadful day. We who must resolve upward.

A fleuron, a typographical symbol that looks like a flower, dividing sections of a post

Other remembrances: Dave Winer, Doc Searls, Universal Hub.

Transmigrating

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Seven years ago today, I summed up the things that happened eight years ago before that: the small amount that I could write, stunned, on September 11, 2001; my more elaborate write-up from 2002 and, after singing in the Rolling Requiem, my detailed recollections from the day; my thoughts from 2003, on the brink of invasions; my thoughts from 2008, in which I assert that in spite of the attack, we’re still here.

All of which is to say I thought I had processed and finished my grieving for the victims of that bright fall day fifteen years ago.

Then, one night this week after rehearsing Adams’ On the Transmigration of Souls, I attempted to describe Doug Ketcham to one of my TFC colleagues. And I could not speak. I was suddenly dumbstruck by the immense unfairness of what happened to him: twenty-seven years old, a rising star at Cantor Fitzgerald, who retained enough presence of mind to call his parents from underneath his desk after the first plane hit the towers to tell them that he loved them.

Doug was an acquaintance who I wish I had known well enough to call friend. Other UVa friends, like Tin Man, knew him much better. But he was a decent human being who never blinked an eye when I joined the crew that hung around with him. He made you feel less alone.

I spent some time thinking about him in our final rehearsal of Transmigration on Friday. I thought about the fact that I haven’t come to terms with his death after all these years. I thought about the fact that this anniversary still has the power to turn me somber and sour.

And then I thought about the structure of the piece. It opens with street sounds, footsteps, and then the words “missing… missing…” and the reading of names. The choir and orchestra slowly emerge from shifting tonalities to sing words, not of high poesy, but from the families of the victims, who posted them on fliers around the site of the Twin Towers in the weeks after the attack. Everyday words. “…he was tall, extremely good-looking, and girls never talked to me when he was around.” (Which could have been written about Doug.) Or the words of one woman: “I loved him from the start…. I wanted to dig him out. I know just where he is.”

It is at this moment that the orchestra gives a tremendous wrench, building in intensity and volume until at the top of the crescendo the chorus bursts into the moment of transfiguration: “Light! Light! Light!”

But after the transfiguration moment, the chorus drops away, the instrumentation drops back down, and you can hear that the voices and names are still speaking. And so it goes until the end of the work, with a final wordless tone cluster from the chorus yielding to a slendering thread of string sound, which after the thirty minutes of the piece finally resolves upward into a new major key—but not triumphantly, but so quietly it can almost not be heard.

And I think about this ending, and I think I finally understand what Adams was trying to get at. The dead are still with us after the transmigration because they always will be. It is we who must be transmigrated, who must allow ourselves to be changed, to not continue to stand, breath held, on the edge of that dreadful day. We who must resolve upward.

Eight years ago today…

Tragedy:

…Forget about everything else. Here’s the story on washingtonpost.com.

Dave Winer has a good weblog of news stories as they come in. Use your common sense to sort through news and rumors. Don’t trust anything that isn’t linked.

The context: I had already awakened and written a short blog post, and was at work in the library at the MIT Sloan school, before I started seeing the headlines on Yahoo.

Note that the Washington Post story I linked to is no longer available. I didn’t link directly to Dave’s story, but his homepage is still there, of course, and his archives have the stream of September 11 news as it happened. Most of the news sites were slammed, but the blogs kept running.

Eight years on. Different leadership, different perspectives on how to keep us secure.

Osama Bin Laden is still at large.

Doug Ketcham is still missed.

We are still here.

(Also see, from 2002: One Year and Further thoughts; from 2003: Remembering and moving on; from 2008, Number Three on Flight Eleven).