Illustrations of how to think about writing secure code: a little brainteaser called “what’s wrong with this application?”
I wrote a long time ago about getting my Denon DP-45F turntable fixed up, and shortly thereafter hinted that I was about to start ripping my records en masse. Then… well, life intruded. I ripped some Beowulf, early and not-so-early Virginia Glee Club records, and not a whole lot else.
Why? A few reasons. First, time. Where ripping a CD can be done in much less than the time to listen to it, and in the comfort of an armchair, an LP requires at least as much time to rip as to listen to it. Then there’s taking the file, leveling it, splitting the tracks, importing them to iTunes, and then (because of a bug in Amadeus Pro’s lossless AAC files) reimporting them as AAC. So for one record, it takes the evening. And one unsuccessful rip–there was a lot of surface noise on my copy of Peter Gabriel II–put me off the project for a good long while.
And now? I finally got around to ripping my vinyl of 10,000 Maniacs’ early hit In My Tribe, and it was a revelation. The sound from the ripped vinyl was superb, and the music was superb…er. The opening chords of “What’s the Matter Here” were as gripping as the lyrics are depressing; “Hey Jack Kerouac” and “Like the Weather” were similarly moving and dynamic. Listening to the record took me back to when R.E.M. played a lot of 12 string and when indie meant Guadalcanal Diary and the Connells. The second half of the record lags a bit, but the final song, the unpromisingly named “Verdi Cries,” was moving and insightful.
In these recessionary times, there’s something to be said for rediscovering music through vinyl instead of paying to download it again. Even if it takes an evening to get the music on one’s iPod.